Everyone hits the same call time
A shoot starts when the last person is in the room. Models, stylists and crew come from different places on different clocks, so each needs its own pickup rather than one bus and a hope.
Campaigns, fittings, press days and shows — we move the talent, the crew and your guests on the same clock, so the only thing anyone is waiting on is the lighting.
One morning, one schedule, every arrival on it.
Fashion weeks and campaign days collapse if one leg slips. The schedule is the product, and the ground is where it usually breaks.
A shoot starts when the last person is in the room. Models, stylists and crew come from different places on different clocks, so each needs its own pickup rather than one bus and a hope.
Fittings overrun, shoots gain a setup, a stylist needs a second run. The ground plan has to absorb that without a chain of phone calls.
Arrivals get staged so the right people are seen and the rest are not. Separate vehicles, separate entrances, agreed before the day.
One point of contact across the market, the show and everything in between.
Crew and talent to location and back, with vehicles held on site for the duration rather than dispatched leg by leg.
Staged arrivals and departures timed to the run of show, with hold points agreed with your production team in advance.
Models and crew collected across the city into a single call time, with pickups sequenced so nobody is left waiting at a kerb.
As-directed vehicles across a market week, so a schedule that changes hourly does not need a new booking each time.
Sprinters when the crew moves together; SUVs for talent and executives arriving separately.
Prefer to speak to someone? Dispatch is open 24/7 on +1 833‑782‑7743.